This morning at 11:30 a.m. ET, J.B. Smoove, Melissa Fumero, and Television Academy chairman and CEO Frank Scherma announced the 2022 Emmy nominations.

Check out some notable nominees and the complete list of nominations below!

Notable Nominees

Tony Awards Presents: Broadway’s Back! was nominated for Outstanding Variety Special (Live).

Andrew Garfield was nominated for Outstanding Leading Actor in a Limited Series or Movie for Under the Banner of Heaven.

Annie Live!’s Sergio Trujillo was nominated for Outstanding Choreography For Variety Or Reality Programming for “Hard Knock Life,” “We Got Annie,” and “NYC.”

Derek Hough was nominated for Outstanding Choreography For Variety Or Reality Programming for his choreography for “Roxanne” in Step Into… the Movies.

Jodie Comer was nominated for Oustanding Lead Actress in a Drama Series for Killing Eve.

Zoey’s Extraordinary Christmas was nominated for Oustanding Television Movie.

Sheryl Lee Ralph was nominated for Oustanding Supporting Actress in a Comedy Series for Abbott Elementary.

Steve Martin and Martin Short were nominated for Outstanding Lead Actor in a Comedy Series for their performances in Only Murders in the Building. The series was also nominated for Outstanding Comedy Series.

Nathan Lane was nominated for Outstanding Guest Actor in a Comedy Series for Only Murders in the Building.

Jane Lynch was nominated for Outstanding Guest Actress in a Comedy Series for Only Murders in the Building.

Rachel Brosnahan was nominated for Outstanding Lead Actress in a Comedy Series for her performance in the Marvelous Mrs. Masiel.

Tony Shaloub was nominated for Outstanding Supporting Actor in a Comedy Series for the Marvelous Mrs. Maisel.

Mare Winningham was nominated for Outstanding Supporting Actress in a Limited Series or Movie for Dopesick. Kaitlyn Dever was also nominated for Outstanding Supporting Actress in a Limited Series or Movie for Dopesick.

Jean Smart was nominated for Outstanding Lead Actress in a Comedy Series for her performance in Hacks. Laurie Metcalf was also nominated for Outstanding Guest Actress in a Comedy Series for Hacks.

Laura Linney was nominated for Outstanding Lead Actress in a Drama Series for Ozark.

One Last Time: An Evening with Tony Bennett and Lady Gaga was nominated for Outstanding Variety Special (Pre-Recorded).

NBC and the Television Academy will produce the 74th Emmy® Awards, set for Sept. 12 on NBC. Ian Stewart, Reginald Hudlin, Byron Phillips and Jane Mun will executive produce the live three-hour coast-to-coast telecast that begins at 8 p.m. ET/5 p.m. PT.

2022 Emmys Nominations

Lead Actor in a Comedy Series

Donald Glover (“Atlanta”)
Bill Hader (“Barry”)
Nicholas Hoult (“The Great”)
Steve Martin (“Only Murders in the Building”)
Martin Short (“Only Murders in the Building”)
Jason Sudeikis (“Ted Lasso”)

Lead Actress in a Comedy Series

Rachel Brosnahan (“The Marvelous Mrs. Maisel”)
Quinta Brunson (“Abbott Elementary”)
Kaley Cuoco (“The Flight Attendant”)
Elle Fanning (“The Great”)
Issa Rae (“Insecure”)
Jean Smart (“Hacks”)

Comedy Series

Abbott Elementary
Barry
Curb Your Enthusiasm
Hacks
The Marvelous Mrs. Maisel
Only Murders in the Building
Ted Lasso
What We Do in the Shadows

Limited Series

Dopesick (Hulu)
The Dropout (Hulu)
Inventing Anna (Netflix)
Pam and Tommy (Hulu)
The White Lotus (HBO)

Lead Actress in a Limited Series or Movie

Toni Collette (“The Staircase”)
Julia Garner (“Inventing Anna”)
Lily James (“Pam and Tommy”)
Sarah Paulson (“Impeachment: American Crime Story”)
Margaret Qualley (“Maid”)
Amanda Seyfried (“The Dropout”)

Lead Actor in a Limited Series or Movie

Colin Firth (“The Staircase”)
Andrew Garfield (“Under the Banner of Heaven”)
Oscar Isaac (“Scenes From a Marriage”)
Michael Keaton (“Dopesick”)
Himesh Patel (“Station Eleven”)
Sebastian Stan (“Pam and Tommy”)

Lead Actor in a Drama Series

Jason Bateman (“Ozark”)
Brian Cox (“Succession”)
Lee Jung-jae (“Squid Game”)
Bob Odenkirk (“Better Call Saul”)
Adam Scott (“Severance”)
Jeremy Strong (“Succession”)

Lead Actress in a Drama Series

Jodie Comer (“Killing Eve”)
Laura Linney (“Ozark”)
Melanie Lynskey (“Yellowjackets”)
Sandra Oh (“Killing Eve”)
Reese Witherspoon (“The Morning Show”)
Zendaya (“Euphoria”)

Television Movie

Chip ‘n’Dale: Rescue Rangers (Disney+)
Ray Donovan: The Movie (Showtime)
Reno 911!: The Hunt For QAnon (Paramount+)
The Survivor (HBO/HBO Max)
Zoey’s Extraordinary Christmas (The Roku Channel)

Supporting Actress in a Drama Series

Patricia Arquette (Severance)
Julia Garner (Ozark)
Jung Ho-yeon (Squid Game)
Christina Ricci (Yellowjackets)
Rhea Seehorn (Better Call Saul)
J. Smith-Cameron (Succession)
Sarah Snook (Succession)
Sydney Sweeney (Euphoria)

Supporting Actor in a Drama Series

Nicholas Braun (Succession)
Billy Crudup (The Morning Show)
Kieran Culkin (Succession)
Park Hae-soo (Squid Game)
Matthew Macfadyen (Succession)
John Turturro (Severance)
Christopher Walken (Severance)
Oh Yeong-su (Squid Game)

Supporting Actress in a Comedy Series

Alex Borstein (The Marvelous Mrs. Maisel)
Hannah Einbinder (Hacks)
Janelle James (Abbott Elementary)
Kate McKinnon (Saturday Night Live)
Sarah Niles (Ted Lasso)
Sheryl Lee Ralph (Abbott Elementary)
Juno Temple (Ted Lasso)
Hannah Waddingham (Ted Lasso)

Supporting Actor in a Comedy Series

Anthony Carrigan (Barry)
Brett Goldstein (Ted Lasso)
Toheeb Jimoh (Ted Lasso)
Nick Mohammed (Ted Lasso)
Tony Shalhoub (The Marvelous Mrs. Maisel)
Tyler James Williams (Abbott Elementary)
Henry Winkler (Barry)
Bowen Yang (Saturday Night Live)

Supporting Actress in a Limited Series or Movie

Connie Britton (The White Lotus)
Jennifer Coolidge (The White Lotus)
Alexandra Daddario (The White Lotus)
Kaitlyn Dever (Dopesick)
Natasha Rothwell (The White Lotus)
Sydney Sweeney (The White Lotus)
Mare Winningham (Dopesick)

Supporting Actor in a Limited Series or Movie

Murray Bartlett (The White Lotus)
Jake Lacy (The White Lotus)
Will Poulter (Dopesick)
Seth Rogen (Pam & Tommy)
Peter Sarsgaard (Dopesick)
Michael Stuhlbarg (Dopesick)
Steve Zahn (The White Lotus)

Guest Actress in a Drama Series

Hope Davis (Succession)
Marcia Gay Harden (The Morning Show)
Martha Kelly (Euphoria)
Sanaa Lathan (Succession)
Harriet Walter (Succession)
Lee You-mi (Squid Game)

Guest Actor in a Drama Series

Adrien Brody (Succession)
James Cromwell (Succession)
Colman Domingo (Euphoria)
Arian Moayed (Succession)
Tom Pelphrey (Ozark)
Alexander Skarsgård (Succession)

Guest Actress in a Comedy Series

Jane Adams (Hacks)
Harriet Sansom Harris (Hacks)
Jane Lynch (Only Murders In The Building)
Laurie Metcalf (Hacks)
Kaitlin Olson (Hacks)
Harriet Walter (Ted Lasso)

Guest Actor in a Comedy Series

Jerrod Carmichael (Saturday Night Live)
Bill Hader (Curb Your Enthusiasm)
James Lance (Ted Lasso)
Nathan Lane (Only Murders In The Building)
Christopher McDonald (Hacks)
Sam Richardson (Ted Lasso)

Variety Sketch Series

A Black Lady Sketch Show (HBO/HBO Max)
Saturday Night Live (NBC)

Variety Special (Live)

The 64th Annual Grammy Awards (CBS)
Live In Front Of A Studio Audience: The Facts Of Life and Diff’rent Strokes (ABC)
The Oscars (ABC)
Pepsi Super Bowl LVI Halftime Show Starring Dr. Dre, Snoop Dogg, Mary J. Blige, Eminem, Kendrick Lamar and 50 Cent (NBC)
Tony Awards Presents: Broadway’s Back! (CBS)

Variety Special (Pre-Recorded)

Adele: One Night Only (CBS)
Dave Chappelle: The Closer (Netflix)
Harry Potter 20th Anniversary: Return to Hogwarts (HBO/HBO Max)
Norm Macdonald: Nothing Special (Netflix)
One Last Time: An Evening with Tony Bennett and Lady Gaga (CBS)

Variety Talk Series

The Daily Show
Jimmy Kimmel Live!
Last Week Tonight
Late Night With Seth Meyers
The Late Show With Stephen Colbert

Competition Program

The Amazing Race
Lizzo’s Watch Out for the Big Grrrls
Nailed It!
RuPaul’s Drag Race
Top Chef
The Voice

Hosted Nonfiction Series or Special

My Next Guest Needs No Introduction with David Letterman (Netflix)
The Problem with Jon Stewart (Apple TV+)
Stanley Tucci: Searching for Italy (CNN)
VICE (Showtime)
The World According to Jeff Goldblum (Disney+)

Host for a Reality or Competition Program

Bobby Berk, Karamo Brown, Tan France, Antoni Porowski, Jonathan Van Ness (Queer Eye)
Amy Poehler and Nick Offerman (Making It)
Nicole Byer (Nailed It!)
Barbara Corcoran, MARK CUBAN, LORI GREINER, ROBERT HERJAVEC, Daymond John, Kevin O’Leary (Shark Tank)
Padma Lakshmi (Top Chef)
RuPaul (RuPaul’s Drag Race)

Outstanding Short Form Animated Program

The Boys Presents: Diabolical – John And Sun-Hee – Prime Video
Amazon Studios, Sony Pictures Television Studios, Titmouse, Kripke Enterprises, Original Film, and Point Grey Pictures

Love, Death + Robots – Jibaro – Netflix
Blur Studio for Netflix

Robot Chicken – Happy Russian Deathdog Dolloween 2 U – Adult Swim
A Stoopid Buddy Stoodios production with Williams Street

Star Wars: Visions – The Duel – Disney+
Kamikaze Douga and Lucasfilm Ltd.

When Billie Met Lisa – Disney+
A Gracie Films production in association with 20th Television Animation

Outstanding Production Design For A Narrative Contemporary Program (One Hour Or More)

The Flight Attendant – Seeing Double – HBO/HBO Max
HBO Max in association with Berlanti Productions, Yes, Norman Productions, and Warner Bros. Television
Nina Ruscio, Production Designer Josh Lusby, Art Director Mari Lappalainen, Art Director Matt Callahan, Set Decorator

Ozark – The Beginning Of The End – Let The Great World Spin – Sanctified – Netflix
MRC for Netflix
David Bomba, Production Designer Sean Ryan Jennings, Art Director Kim Leoleis, Set Decorator

Severance – Good News About Hell – Apple TV+
Endeavor Content / Red Hour Productions in association with Apple
Jeremy Hindle, Production Designer Nick Francone, Production Designer Angelica Borrero-Fortier, Art Director Andrew Baseman, Set Decorator

Squid Game – Gganbu – Netflix
Siren Pictures for Netflix
Chae Kyoung-sun, Production Designer Gim En-jee, Art Director Kim Jeong-gon, Set Decorator

Succession – Too Much Birthday – HBO/HBO Max
HBO in association with Project Zeus, HyperObject Industries, Gary Sanchez Productions
Stephen H. Carter, Production Designer Marci Mudd, Art Director George DeTitta, Jr., Set Decorator

The White Lotus – HBO/HBO Max
HBO in association with Rip Cord, The District and Hallogram Inc.
Laura Fox, Production Designer Charles Varga, Art Director Jennifer Lukehart, Set Decorator

Outstanding Production Design For A Narrative Period Or Fantasy Program (One Hour Or More)

The Gilded Age – Never The New – HBO/HBO Max
HBO in association with Universal Television and Neamo Film and Television
Bob Shaw, Production Designer Larry Brown, Art Director Laura Ballinger Gardner, Art Director Regina Graves, Set Decorator

The Great – Wedding – Hulu
Hulu, Civic Center Media, MRC
Francesca di Mottola, Production Designer Emma Painter, Art Director Monica Alberte, Set Decorator

Loki – Glorious Purpose – Disney+
Marvel Studios
Kasra Farahani, Production Designer Natasha Gerasimova, Art Director Claudia Bonfe, Set Decorator

The Marvelous Mrs. Maisel – Maisel vs. Lennon: The Cut Contest – How Do You Get To Carnegie Hall? – Prime Video
Amazon Studios
Bill Groom, Production Designer Neil Prince, Art Director Ellen Christiansen, Set Decorator

Stranger Things – Chapter Seven: The Massacre At Hawkins Lab – Netflix
Monkey Massacre Productions & 21 Laps Entertainment for Netflix
Chris Trujillo, Production Designer Sean Brennan, Art Director Jess Royal, Set Decorator

Outstanding Production Design For A Narrative Program (Half-Hour)

Bob Hearts Abishola – Bowango – CBS
Chuck Lorre Productions, Inc. in association with Warner Bros. Television
Francoise Cherry-Cohen, Production Designer Gail L. Russell, Art Director Ann Shea, Set Decorator

Emily In Paris – The Cook, The Thief, Her Ghost And His Lover – Scents & Sensibility – French Revolution – Netflix
MTV Entertainment Studios, Darren Star Productions, and Jax Media for Netflix
Anne Seibel, Production Designer Beniôt Tételin, Art Director Christelle Maisonneuve, Set Decorator

Hacks – Trust The Process – HBO/HBO Max
Universal Television in association with Paulilu, First Thought Productions, Fremulon Productions, 3 Arts Entertainment
Alec Contestabile, Production Designer Rob Tokarz, Art Director Jennifer Lukehart, Set Decorator

Only Murders In The Building – True Crime – Hulu
20th Television
Curt Beech, Production Designer Jordan Jacobs, Art Director Rich Murray, Set Decorator

Schmigadoon! – Schmigadoon! – Apple TV+
Broadway Video / Universal Television in association with Apple
Bo Welch, Production Designer Don Macaulay, Art Director Carol Lavallee, Set Decorator

Ted Lasso – Beard After Hours – Apple TV+
Apple presents a Doozer Production in association with Warner Bros. Television and Universal Television
Paul Cripps, Production Designer Stacey Dickinson, Art Director

United States Of Al – Kiss/Maach – Divorce/Talaq – Sock/Jeraab – CBS
Chuck Lorre Productions, Inc. in association with Warner Bros. Television
Daren Janes, Production Designer Susan Mina Eschelbach, Set Decorator

Outstanding Production Design For A Variety, Reality Or Competition Series

A Black Lady Sketch Show – Anybody Have Something I Can Flog Myself With? – HBO/HBO Max – HBO in association with For Better or Words, Inc., Hoorae, 3 Arts Entertainment and Jax Media
Cindy Chao, Production Designer Michele Yu, Production Designer Lizzie Boyle, Set Decorator

The Late Show With Stephen Colbert – Colbert’s “Lord Of The Rings” Rap Celebrates 20 Years Of The Greatest Trilogy In Movie History – CBS – CBS Studios
Jim Fenhagen, Production Designer Larry Hartman, Production Designer Brendan Hurley, Art Director Riley Mellon, Art Director

Queer Eye – Angel Gets Her Wings – Netflix – Scout Productions Inc. and ITV Entertainment LLC for Netflix
Thomas Rouse, Production Designer Josh Smith, Art Director

RuPaul’s Drag Race – Catwalk – VH1 – World of Wonder
Gianna Costa, Production Designer Allison Spain, Art Director

Saturday Night Live – Host: Kim Kardashian – NBC – SNL Studios in association with Universal Television and Broadway Video
Eugene Lee, Production Designer Akira Yoshimura, Production Designer Keith Ian Raywood, Production Designer
N. Joseph DeTullio, Production Designer Melissa Shakun, Art Director

Outstanding Production Design For A Variety Special

The 64th Annual Grammy Awards – CBS – Fulwell 73 UK Limited
Julio Himede, Production Designer Kristen Merlino, Art Director

Live In Front Of A Studio Audience: The Facts Of Life And Diff’rent Strokes – ABC – Sony Pictures Television, Act III Productions, Kimmelot, D’Arconville, Gary Sanchez Productions, Simpson Street Stephan Olson, Production Designer Raf Lydon, Art Director Jerie Kelter, Set Decorator

The Oscars – ABC – Academy of Motion Picture Arts and Sciences
David Korins, Production Designer Margaux Lapresle, Art Director

The Pepsi Super Bowl LVI Halftime Show Starring Dr. Dre, Snoop Dogg, Mary J. Blige, Eminem, Kendrick Lamar And 50 Cent – NBC – Jesse Collins Entertainment, DPS and Roc Nation
Bruce Rodgers, Production Designer Shelley Rodgers, Art Director Maria Garcia, Art Director

Savage X Fenty Show Vol. 3 – Prime Video – Fenty Films & Endeavor Content
Willo Perron, Production Designer Steve Morden, Art Director Marc Manabat, Set Decorator

Outstanding Casting For A Comedy Series

Abbott Elementary – ABC – Delicious Non-Sequitur Productions in association with Warner Bros. Television and 20th Television
Wendy O’Brien, CSA, Casting by

Barry – HBO/HBO Max – HBO in association with Alec Berg and Hanarply
Sherry Thomas, CSA, Casting by Sharon Bialy, CSA, Casting by

Curb Your Enthusiasm – HBO/HBO Max – HBO
Allison Jones, Casting by Ben Harris, Casting by

Hacks – HBO/HBO Max – Universal Television in association with Paulilu, First Thought Productions, Fremulon Productions, 3 Arts Entertainment
Jeanne McCarthy, CSA, Casting by Nicole Abellera Hallman, CSA, Casting by

Only Murders In The Building – Hulu – 20th Television
Bernard Telsey, CSA, Casting by Tiffany Little Canfield, CSA, Casting by

Ted Lasso – Apple TV+ – Apple presents a Doozer Production in association with Warner Bros. Television and Universal Television
Theo Park, Casting by

Outstanding Casting For A Drama Series

Euphoria – HBO/HBO Max – HBO in association with ADD Content Agency | HOT | TCDY Productions, Dreamcrew, Tiny Goat, A24 and The Reasonable Bunch
Jessica Kelly, CSA, Casting by Mary Vernieu, CSA, Casting by Bret Howe, CSA, Casting by Jennifer Venditti, CSA, Original Casting/Location Casting by

Ozark – Netflix – MRC for Netflix
Alexa L. Fogel, CSA, Casting by Tara Feldstein Bennett, CSA, Location Casting Chase Paris, CSA, Location Casting

Severance – Apple TV+ – Endeavor Content / Red Hour Productions in association with Apple
Rachel Tenner, CSA, Casting by Bess Fifer, CSA, Location Casting

Stranger Things – Netflix – Monkey Massacre Productions & 21 Laps Entertainment for Netflix
Carmen Cuba, Casting by Tara Feldstein Bennett, CSA, Location Casting Chase Paris, CSA, Location Casting

Succession – HBO/HBO Max – HBO in association with Project Zeus, HyperObject Industries, Gary Sanchez Productions
Avy Kaufman, CSA, Casting by Francine Maisler, CSA, Original Casting by

Yellowjackets – Showtime – SHOWTIME Presents, Entertainment One
Junie Lowry Johnson, CSA, Casting by Libby Goldstein, Casting by Corinne Clark, CSA, Location Casting Jennifer Page, Location Casting

Outstanding Casting For A Limited Or Anthology Series Or Movie

Dopesick – Hulu – 20th Television, Danny Strong Productions, John Goldwyn Productions, The Littlefield Company
Avy Kaufman, CSA, Casting by Erica Arvold, CSA, Location Casting

The Dropout – Hulu – Searchlight Television, 20th Television
Jeanie Bacharach, CSA, Casting by Mark Rutman, Casting by Alison Goodman, CSA, Casting by

Inventing Anna – Netflix – A Netflix Series in association with shondalandmedia
Linda Lowy, CSA, Original Casting by Jamie Castro, CSA, Original Casting by Allison Estrin, CSA, Casting by Henry Russell Bergstein, CSA, Casting by Juliette Ménager, Location Casting Simone Bär, CSA, Location Casting Alexandra Montag, Location Casting

Pam & Tommy – Hulu – Hulu, Annapurna Television, Point Grey Pictures
Mary Vernieu, CSA, Casting by Lindsay Graham Ahanonu, CSA, Casting by

The White Lotus – HBO/HBO Max – HBO in association with Rip Cord, The District and Hallogram Inc.
Meredith Tucker, Casting by Katie Doyle, Location Casting

Outstanding Casting For A Reality Program

Lizzo’s Watch Out For The Big Grrrls – Prime Video – Amazon Studios
Lynne Spillman, Casting by Blair Kim, Casting by Jazzy Collins, Casting by

Love On The Spectrum U.S. – Netflix – Northern Pictures for Netflix
Laura Ritchie, Casting by Kat Elmore, Casting by Jeffrey Marx, Casting by
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Queer Eye – Netflix – Scout Productions Inc. and ITV Entertainment LLC for Netflix
Danielle Gervais, Casting by Jessica Jorgensen, Casting by Natalie Pino, Casting by Pamela Vallarelli, Location Casting Quinn Fegan, Location Casting

RuPaul’s Drag Race – VH1 – World of Wonder
Goloka Bolte, CSA, Casting by Ethan Petersen, CSA, Casting by

Top Chef – Bravo – Magical Elves
Samantha Hanks, Casting by Ron Mare, Casting by

Outstanding Choreography For Variety Or Reality Programming

Annie Live! – Routines: Hard Knock Life / We Got Annie / NYC – NBC – Chloe Productions, The Green Room, Zadan/Meron Productions, Sony Pictures Television
Sergio Trujillo, Choreographer
Dancing With The Stars – Routines: I Got 5 On It / Dark Fantasy – ABC – BBC Studios Los Angeles Productions
Daniella Karagach, Choreographer
The Oscars – Routine: Be Alive – ABC – Academy of Motion Picture Arts and Sciences
Fatima Robinson, Choreographer
Savage X Fenty Show Vol. 3 – Routine: Opening – Prime Video – Fenty Films & Endeavor Content
Parris Goebel, Choreographer
Step Into… The Movies With Derek And Julianne Hough – Routine: Moulin Rouge “Roxanne” – ABC – Done+Dusted in association with Walt Disney Television
Tessandra Chavez, Choreographer Derek Hough, Choreographer

Outstanding Choreography For Scripted Programming

Euphoria – Routines: Call Me Irresponsible / Holding Out For A Hero / Cheerleader – HBO/HBO Max – HBO in association with ADD Content Agency | HOT | TCDY Productions, Dreamcrew, Tiny Goat, A24 and The Reasonable Bunch
Ryan Heffington, Choreographer
Goliath – Routine: The Pain Killer – Prime Video – Amazon Studios
Fred Tallaksen, Choreographer

The Porter – Routines: Opening Stardust Dance Number / Willie Johnson Dance Number / Lucy’s Featured Performance/Songbird – BET+ – Inferno Pictures / Sphere Media
Christian Vincent, Choreographer

Schmigadoon! – Routines: Corn Puddin’ / Tribulation / With All Of Your Heart – Apple TV+ – Broadway Video / Universal Television in association with Apple
Christopher Gattelli, Choreographer

Zoey’s Extraordinary Christmas – Routines: It’s The Most Wonderful Time Of The Year / We Need A Little Christmas / Just The Two Of Us – The Roku Channel – Lionsgate, Universal Music Group, FeigCo, The Tannenbaum Company
Mandy Moore, Choreographer Jillian Meyers, Choreographer

Outstanding Cinematography For A Multi-Camera Series

B Positive – Dagobah, A Room, And A Chimney Sweep – CBS – Chuck Lorre Productions, Inc. in association with Warner Bros. Television
Steven V. Silver, ASC, Director of Photography
The Conners – The Wedding Of Dan And Louise – ABC – Werner Entertainment
Donald A. Morgan, ASC, Director of Photography
How I Met Your Father – Pilot – Hulu – 20th Television
Gary Baum, ASC, Director of Photography

Outstanding Cinematography For A Single-Camera Series (Half-Hour)

Atlanta – Three Slaps – FX – FX Productions
Christian Sprenger, Director of Photography

Barry – starting now – HBO/HBO Max – HBO in association with Alec Berg and Hanarply
Carl Herse, Director of Photography

grown-ish – Put Your Hands Where My Eyes Could See – Freeform – ABC Signature
Mark Doering-Powell, ASC, Director of Photography

Hacks – The Click – HBO/HBO Max – Universal Television in association with Paulilu, First Thought Productions, Fremulon Productions, 3 Arts Entertainment
Adam Bricker, Director of Photography

Insecure – Reunited, Okay?! – HBO/HBO Max – HBO in association with Hoorae, A Penny For Your Thoughts Entertainment and 3 Arts Entertainment
Ava Berkofsky, Director of Photography

Russian Doll – Nowhen – Netflix – Universal Television Paper Kite Productions, Jax Media and 3 Arts Entertainment for Netflix
Ula Pontikos, BSC, Director of Photography

Outstanding Cinematography For A Single-Camera Series (One Hour)

Euphoria – The Theater And Its Double – HBO/HBO Max – HBO in association with ADD Content Agency | HOT | TCDY Productions, Dreamcrew, Tiny Goat, A24 and The Reasonable Bunch
Marcell Rév, HCA, Director of Photography

Loki – Lamentis – Disney+ – Marvel Studios
Autumn Durald Arkapaw, Director of Photography

The Marvelous Mrs. Maisel – How Do You Get To Carnegie Hall? – Prime Video – Amazon Studios
M. David Mullen, ASC, Director of Photography

Ozark – A Hard Way To Go – Netflix – MRC for Netflix
Eric Koretz, Director of Photography

Squid Game – Stick To The Team – Netflix – Siren Pictures for Netflix
Lee Hyung-deok, Director of Photography
Winning Time: The Rise Of The Lakers Dynasty – Pieces Of A Man – HBO/HBO Max – HBO in association with HyperObject Industries, Steeplechase Amusements, Jim Hecht Productions and Jason Shuman Productions
Todd Banhazl, Director of Photography

Outstanding Cinematography For A Limited Or Anthology Series Or Movie

Dopesick – Breakthrough Pain – Hulu – 20th Television, Danny Strong Productions, John Goldwyn Productions, The Littlefield Company
Checco Varese, ASC, Director of Photography
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1883 – 1883 – Paramount+ – Linson Entertainment, Bosque Ranch Productions, 101 Studios, MTV Entertainment Studios
Ben Richardson, ASC, Director of Photography

1883 – Lightning Yellow Hair – Paramount+ – Linson Entertainment, Bosque Ranch Productions, 101 Studios, MTV Entertainment Studios
Christina Alexandra Voros, Director of Photography

Gaslit – Will – STARZ – UCP in association with Esmail Corp, Anonymous Content, Red Om Films, The Slate Group
Larkin Seiple, Director of Photography

Moon Knight – Asylum – Disney+ – Marvel Studios
Gregory Middleton, ASC, Director of Photography

Station Eleven – Wheel Of Fire – HBO/HBO Max – HBO Max presents a Paramount Television Studios production in association with Tractor Beam Productions, Shadowfox Productions, Stone Village Television, Inc., Pacesetter Productions, and Super Frog
Christian Sprenger, Director of Photography

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According to a new study, 25 percent of San Franciscos don’t earn enough income to meet their basic needs.

United Ways of California published the study, which examines a factor called the Real Cost Measure, which estimates the amount of income it takes to make ends meet in California.

In California generally, nearly one in three people is struggling to meet daily needs, the study found, with black and Hispanic households being disproportionately affected. That’s 3.5 million families — 2.5 times the number of Californians who fall below the poverty line by federal government standards. Basic needs include rent, transportation and health care, among others.

Of these 3.5 million households, 97% have at least one working adult. More than half of these households have children under the age of 6.

The situation in San Francisco is similarly dire. The study found that 76,737 households are below real cost measure, 98% of which have at least one working adult. An urban family of four (two adults, one toddler, one school-age child) would need to hold more than three full-time, minimum-wage jobs just to achieve economic stability, the study found. It has been estimated that a family of four would need to earn $127,332 each year just to meet basic needs.

It’s no secret where most of San Francisco residents’ income goes: 28% of all households in the county spend more than 30% of their income on housing. Transportation, taxes, and food were also high costs for the region.

The study further breaks things down by neighborhood. In the historically black neighborhoods of Hunters Point and Bayview, 47% of households live below real cost. This compares to 18% in the Inner Mission and Castro neighborhoods.

“This study shows that many more working families in California are struggling to meet the cost of living than is officially estimated, and identifies significant gaps between what it costs families and their children to live with dignity and what it costs.” they actually deserve,” Peter Manzo, president and CEO of United Ways of California, said in a statement.

“This new perspective should be the yardstick by which we set our priorities, and the study is a wake-up call for local community partners, civic leaders, the business sector and elected officials that so much more needs to be done to help families not only survive, but actually thrive.”

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1a. I believe in second chances. And third and fourth chances. Folks will argue that playing in the NFL is a privilege and not a right, but for some players it is their only marketable skill; taking it away indefinitely is draconian (not to mention, the kind of power Roger Goodell should not—and, legally, cannot—exercise). People change, especially in their 20s and 30s, and every one of them deserves a pathway to redemption.

However, the pathway must involve some baseline effort at rehabilitation. Right? A hint of contrition? Even just a show that he is making the slightest effort to maybe think about possibly making amends for his actions? With that in mind: Did Antonio Brown do that?

You could do some mental gymnastics and convince yourself he did the absolute bare minimum. There were some apologies—under a markedly different writing style than we usually get from him—posted on his social media accounts. He took cuts at a few softballs last winter and dispensed the type of reflexive, mealy-mouthed, non-specific apology I wouldn’t accept from my preschooler. And when it came to his abhorrent treatment of women, he played the victim card. I mean, this is an actual quote from February:

“I feel like I never really got in a conflict with no woman. I just feel like I’m a target so, anybody can come against me and say anything and I’m going to have to face it. There’s no support, there’s no egos, there’s no rules in it, anyone can come after me for anything. No proof or whatever. ‘He said, she’s saying.’ The media will run with it, so even if I’m not guilty, I already guilty because they already wrote it, put it on TV and put that in people minds. So for me to have to sit here and hear those the allegations of me is just unfair to me every time.”

Brown’s mistreatment of women has been chronicled in police reports, sometimes on his own social media accounts and in the accounts of accusers. If he was referring to our source who, in September 2019, accused Brown of sexual misconduct, a quick refresher: She did not come to us—we found her. Her story and her background held up against exhaustive vetting by our team. And despite what you might have heard on sports radio or seen on social media from the kind of people who have yet to realize you can breathe through your nose, at no point did she ever give an indication that there was financial motivation.

Each of us are, in the simplest terms, the sum of our actions, and our actions are shaped by our circumstances. After spending the summer of 2019 researching Brown’s behavior, I write this with a fair amount of confidence: Superstardom on the football field shaped Antonio Brown, and not in a good way. It made him feel like others—viewed as being beneath his station as a star athlete—could be treated however he saw fit, without consequence. Brown was surrounded by the typical variety of toadies and stooges who encouraged that kind of behavior, but he has also been enabled by coaches and teammates as well. Tom Brady is now chief among them.

Over the past 13 months, Tom Brady has floated the notion that he and his football team’s culture is what Brown needs—apparently ignoring the fact that, while a teammate of Brady’s, Brown saw fit to send threatening texts to a credible accuser. For Brown, football isn’t the solution, it’s part of the problem.

This isn’t about rehabilitating Antonio Brown as a man, because he’s never shown even the slightest interest in being rehabilitated. (And if Brady is interested in helping troubled players, there are many who are more deserving than Brown.) No, this is the opposite of rehabilitation: It reinforces that as long as the greatest receiver of this generation is still in his prime, there are no consequences, especially when it comes to people who don’t have a role in winning football games. And Brady will always be there to fight those consequences—every single one—because there is no greater calling in life than maximizing your chance to win football games.

We can only hope we’ve arrived at the final act of this farce. It will further cement the legacy of Tom Brady the player as a guy who won a lot of football games. And it will further cement the legacy of Tom Brady the man as a guy who won a lot of football games.

1b. Also, congratulations to Russell Wilson, Pete Carroll and the Seahawks organization for lowering themselves into the sewer and not even coming away with their man.

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Whatever. Here’s some analysis of the week’s games and news interspersed with poop jokes…

USA Today Photos (5)

2. Anyone with optic nerves that transmit images to their brain knows that the Steelers defense poses a stiff test for the Titans. But what’s even more worrisome for Tennessee is that this Steelers defense is almost custom-built to deal with their offense.

Pittsburgh has the best run defense in football by just about any metric, but I want to focus in on its defensive line Stuff Percentage (a league-leading 32% according to Football Outsiders) and the fact that Vince Williams—maybe the closest thing to a “weak link” in its defensive front—leads the NFL in tackles for loss (10) while T.J. Watt is tied for second (9) and even slot corner Mike Hilton (5) is top-20. The book on Derrick Henry is that, while he’s superhuman once he gets to the second level, he’s a mere mortal around and behind the line of scrimmage. The Steelers often don’t allow backs to get to the second level, and while I don’t like touting the vague notion of “physicality,” there’s no doubt that the Steelers’ cast of front-seven characters are capable of handling Henry. And, yes, Devin Bush is out, but so is Taylor Lewan, which means Bud Dupree will get to pick on Ty Sambrailo, for whom “functional strength” has been an issue throughout his career (I write while struggling to summon the strength to get off my couch and get more candy corn).

Play-action is the other staple of the Titans offense—one very much aided by the fact that linebackers often get sucked up more than they normally would because everyone is trying to get to Henry before he gets a head of steam. But playing behind-schedule is an issue for anyone’s play-action offense. The average second-down distance for Pittsburgh’s opponents this year has been 9.22 yards, which is a number that has no right existing outside a science-fiction short story about a dystopian future where footballs have been replaced by 600-pound anvils. If the Titans find themselves in a lot of second- or third-and-long, that play-action game becomes less effective. (And we haven’t mentioned the steady diet of Minkah Fitzpatrick in disguised robber coverages the Titans are likely to see.)

Look at what happened to Cleveland against the Steelers last week. The Browns’ system is loosely similar to Tennessee’s (zone running and play-action off it). But with the Steelers’ dominant run defense mitigating that play-action game, Cleveland was utterly doomed. And you could argue that the Browns are better than Tennessee at every offensive position—except quarterback.

And with that, I arrive at the core point of this meandering take. Ryan Tannehill might not be an MVP-type quarterback (yes, I’ve seen the stats). But since arriving in Nashville, he has been an exceptionally good system quarterback who’s an exceptionally good fit in an exceptionally good system. What he hasn’t been is a guy who’s going to make plays off-schedule and have a lot of success on third-and-long. So far this season, the Titans rank 26th in third-and-long (defined as 6-plus yards to gain) at 21.7%. They were 22nd (26.5%) after Tannehill took over as the starter last year.

Carson Wentz and Mayfield are the last two quarterbacks Pittsburgh faced. Wentz, for all the Josh Allen-esque mistakes he’ll make late in the down, also has the ability to create Josh Allen-esque magic. The Eagles went 5-for-7 on third-and-long in Pittsburgh, which is how they put up 29 points and hung around, and it’s a big reason why the Steelers still rank near the bottom of the league in third-and-long defense (28th, at 38.9% allowed). Mayfield, on the other hand, hasn’t shown the ability to make out-of-structure plays this season, and didn’t do so in Pittsburgh, which is why that game was not competitive.

When Tannehill played in Miami, the later in the down it got, the worse off he was. In Tennessee, he’s rarely had to make plays out-of-structure. He’s a 57.0% passer on third-and-long since becoming the Titans starter, which is actually slightly lower than the mark he posted in Miami (57.4%). Sunday is shaping up to be a week where he’s going to have to make a handful of plays outside of the system. Whether or not he rises to the occasion will determine which of these teams stays undefeated.

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3. It seems the Dolphins had circled the bye week for promoting Tua Tagovailoa all along, but doing it now makes plenty of sense. The biggest deterrent to throwing a young quarterback into the fire is an offensive line that can’t protect him—Miami couldn’t do this a year ago. But their young offensive line has improved immensely, to the point that it’s league-average and trending up.

The other factor is that, as good as Ryan Fitzpatrick has been in 2020, they know it’s not going to last for 16 games. Because it’s never lasted for 16 games. Sometimes when you get on a hot streak at the craps table, you just have to walk away.

You likely already know Fitzpatrick’s origin story—no formal education, worked as a chimney sweep, radioactive squirrel bites him and he gains the power to ace the Wonderlic, Rams draft him, etc. etc. etc. He took the demotion as graciously as possible, and mentioned he might have made his final start, which might be true. But, while he’s 38 in November, he has for the most part maintained the physical traits he had when he entered the league. He can move an offense as well as any backup in football, and it seems he did just fine in the mentor role with Tua. Most likely, he bought himself at least one more chance to be someone’s bridge quarterback.

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4. Not sure why, but I’ve been thinking about this clip a lot this weekend:

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5. We’re all furrowing our brows in a vain attempt to understand the Bears’ 5–1 record. We know luck—the same kind of pure, stupid luck that shines on a team or two every season—has something to do with it, and the Vaudevillian nature of their opponents’ fourth-quarter gaffes draws the eye to late-game scenarios. But hey, the points in the first three quarters count the same as the ones in the fourth quarter.

If you really want to understand the one fluke constant with Chicago, look at its outlier defensive performance in the red zone. Red-zone performance on both sides of the ball tends to fluctuate wildly year to year, due to the small sample size and the unique nature of the tight field. To credit the Bears’ red-zone success to some kind of otherworldly situational football play, you’d also be arguing that the Ravens (fourth-worst red-zone defense in 2020) and Titans (third-worst) are bad situational defenses. Or that the Packers were a great situational defense last year (fourth-best red-zone defense) but, with the same staff and roster, forgot how to play situational defense this year (second-worst red-zone defense).

The Bears are allowing a league-leading 36.4% touchdown percentage—they allowed a TD rate over 50% each of the past two seasons, and were 48% or higher each of the last eight years. Only the Cardinals are allowing fewer points per red-zone trip (4.0). And since they’ve played 22 red-zone possessions, if Chicago’s 4.14 number were closer to the league-average (5.13), you’d be talking about a three-point increase in points-per-game allowed.

However, last week’s win in Carolina was at least a blueprint of how they should be expected to win games: They had constant pressure on Teddy Bridgewater, resulting in four sacks and three takeaways (though one was when Panthers RB Mike Davis forgot he was carrying a football in the open field).

The difference between the 2018 and ’19 Bears was takeaways. They led the league in ’18 (36) but fell to 22nd last season, as the number was almost halved (19). Part of that is luck. Part of it was a down year for Khalil Mack, who very much looks like his all-world self again in 2020. The takeaways weren’t coming during the 4-1 start—just five over those first five games—but pressure creates turnovers, and the pressure has been there this season. A multi-takeaway outing like the one in Charlotte shouldn’t be an outlier.

No matter how good your defense is, you’re walking a tightrope when your offense is this level of inept. However, the Bears could go 4–6 from here on out and still make the playoffs—a 5–5 finish would virtually guarantee postseason football. And once they’re in the tournament, with this defense and with a quarterback with a history of getting very hot in January, anything goes.

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6a. The funny thing about Yannick Ngakoue joining the Ravens is that Baltimore has consistently used overload, fire-zone blitzes to generate pressure in order to make up for the fact that they don’t have a truly dominant edge rusher. And now, in Ngakoue, they’re adding a dominant edge rusher. Though now that I read it I guess that’s not as funny as I originally thought.

Defensive coordinator Don Martindale (or, as many call him, “Mink” Martindale, due to his fondness for the semiaquatic, carnivorous animal) now has a chance to be a little more flexible in his approach. With Ngakoue capable of creating pressure independent of scheme, they could take an approach more along the lines of what the Steelers do: blitz-happy on early downs, four-man rush in front of coverage on third down.

6b. From the Vikings’ perspective, clearly they thought they were going to make a run this year. That just isn’t the case as long as the NFL insists on setting the playoff field based on win-loss record. And considering the fact that they’re in cap heck the next two seasons, it didn’t make sense to commit to Ngakoue long-term—not only would they be paying a premium to Ngakoue, but they’d surely have to adjust Danielle Hunter’s below-market deal if they did. They didn’t get caught up in sunk-cost fallacy, so good on them.

6c. The move also suggests this might be fellow pending free agent Matt Judon’s last year in Baltimore. He’s a very good player, but probably a half-step below Ngakoue talent-wise (not to mention three years older). If Ngakoue works out—and there’s no reason to think he won’t—and gets a long-term deal, the Ravens can play their comp pick game when Judon signs elsewhere this offseason.

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7. Ladies and gentlemen . . . Pixies!

• Question or comment? Email us.

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Given the end of athletics in the county, the Daily Journal decided to dive into our 20 year old archives to bring readers some of our favorite stories over the years.

JAN. 18, 2018 – Given that the South City girls’ soccer team dominated the rain-soaked game against Hillsdale, it was only fitting that the Warriors took an important win on Thursday night.

But the fact that South City took a bit of luck – good or bad, whichever side you chose – to get the 4-3 win shows how insane the game can be.

And it wasn’t what you’re probably thinking. Despite a steady drizzle throughout the game, varying in intensity, it wasn’t a crazy water-guided jump or an unexpected jump off the grass because of the wet artificial turf at Clifford Field on the South City campus.

South City’s ultimate goal was the result of hard work. Alex Jara, a second midfielder, ran onto a through pass in the direction of the right corner flag. She carried the ball to the end line before sending a cross in front of Hillsdale gate. A South City striker and Knights defender fell shoulder to shoulder on goal. Hillsdale defender attempted a risky clearance only to get in the back of her own net 11 minutes before the game was over.

It was the perfect example of hard work that made its own happiness. The warriors dominated possession and had by far the most dangerous chances. South City had a 14-6 lead on shots, nine of which were in the picture.

“My player was there (in front of goal),” said South City coach Salvador Navarro. “If she (the Hillsdale attorney) doesn’t use it, my girl was there.”

Jara had a big game for the Warriors, scoring two goals, assisting in a third and creating the own goal.

This closing balance was an exciting game in which the teams scored six goals in the first half. It was a pivotal win for the Warriors, who finished second in the Ocean Division of the Peninsula Athletic League on their own. Both South City (5-2 PAL Ocean) and Hillsdale (4-3) came in second, trying to keep up with Sequoia in first place (5-1 went into Half Moon Bay with 0-6 on Thursday Game). .

“I am fine [the loss]”Said Hillsdale trainer Rachel Lauderdale.” Given how wet it is, I’m fine [the result]. If they played like that when it was dry, that would be different. “

Although Hillsdale had to watch and defend most of the game, he took advantage of his opportunities. The Knights managed six shots on goal, half of which found the back of the net.

“Every time they had a chance they scored,” Navarro said of the Knights.

Hillsdale’s first chance came in the fourth minute and the Knights converted. The freshman wing Aaliyah Schinaman received a pass on the right flank and ran down the sideline for a long time. Before reaching the end line, she sent a flank to the front of the gate, where the South City goalkeeper got her hands on it.

But as it did with the slippery ball for both goalkeepers for most of the day, South City couldn’t correct it, and a ricochet trickled out in front of her – where freshman striker Kathleen Siu quickly put it in the net and Hillsdale with 1 : 0 brought the lead.

It was a short-lived benefit, however, when South City missed the subsequent kick-off and scored about a minute later. Jara received a pass in the top of the box, turned and equalized.

South City would keep the pressure up, with Jara dominating upstairs, receiving passes, turning and running past defenders, either shooting dangerous shots or making dangerous crosses.

And despite the Warriors’ strong possession game, they didn’t seem as affected by the wet field as Hillsdale. “We practice a lot of one-and-two-touch in training,” said Navarro. Hillsdale regained the lead in the 17th minute and scored his second goal with as many shots.

Second defensive midfielder Ekaterini Economou rose in the defensive half, came on a steal and pushed forward. In midfield, she sent a long diagonal pass to the right wing, which Shinaman chased for a long time. She gained possession of the ball, threw herself into goal and shot a perfectly placed shot into the left corner of the net to give Hillsdale a 2-1 advantage.

The warriors came back and tied it 2-0 in the 28th minute. Jara intercepted a Hillsdale pass deep in his own end. She then went around two defenders, carried to the finish line, and sent a cross back to the front of the gate, where Fernanda Ramirez waited and once fired a diverted shot into the net.

Twelve minutes before the end of the first half there was enough time for two more goals. Hillsdale took a 3-2 lead less than five minutes later. Shinaman, who fell back on the left full-back to slow Jara, won a ball on her defense and immediately sent second striker Alyssa Nicole Cano to a 1-1 breakaway. She calmly and skillfully beat the attacking goalkeeper on the far right.

Another five minutes later, the game was tied for the third time in the half. The Warriors received a free kick near midfield. Ariana Garcia found Jara with her back to the goal up in the Hillsdale penalty area. She turned and reconsidered her shot from 20 yards to end half-time in a 3-0 draw.

In the second half, Hillsdale made a formation adjustment to help the Knights better cope with the dominance in the South City midfield. It helped slow down the Warriors, who managed just four shots after firing 10 in the first 40 minutes.

“We switched from a 4-4-2 to a 4-5-1 (by throwing an extra player in midfield) to improve a little more (defensively),” said Lauderdale.

The starting goal came with 11 minutes of play time and the Knights exerted the most consistent offensive pressure in the game to find the balance. Shinaman looked good a few times in the last few minutes – but her first shot was saved and her second chance rolled off her foot as space opened in the South City penalty area.

“It was intense,” said Jara. “[The game] went back and forth, but we kept pushing for victory. “

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